Video Course: Playing with Time – use pacing to keep readers wanting more

I’m thrilled to announce the release of my new multimedia course on pacing for fiction writers: Playing with Time: use pacing to keep your readers wanting more. 

I’ve had the course open for test readers for a while, and the response is very positive. I’d love it if you’d check out the free introductory videos and let me know what you think.

I hope you’ll check out the free introductory lessons to the course. If you like what you see and want to register, take advantage of my 50% discount coupon by clicking on the link.

Vanessa

Course Contents

In this course, you’ll discover how to use pacing techniques to build tension, emphasize important story events, and keep your readers wanting MORE.

SECTION 1
In Section 1 we’ll explore story pacing with its three different timing clocks, and a formula that can help you control the relationship between time, speed, viewpoint depth, and emotional intensity.

  • Introduction – the Confusion of Pacing
  • The 3 Clocks of Storytelling
  • The Storyteller’s Pacing Formula

SECTION 2
In Section 2 we’ll look at the way a reader’s perception of time fluctuates with the level of excitement, and study techniques you can use to fine-tune pacing and control your readers’ level of excitement.

  • Scenes, Sequels, and Pacing
  • Reader’s Perception of Time and Sequels
  • Pacing Techniques
  • Pacing, Emotional Intensity, and Viewpoint

SECTION 3
In Section 3 we’ll study the effect different writing modes have on pacing, and how you can control pacing using these modes.

  • How to Control Pacing with Fiction Delivery Modes: Dramatic Summary, Dramatic Action, Dialogue, Narration, Description, and Exposition. (Dramatic )

SECTION 4
In Section 4 we’ll explore the structure of Scenes and Sequels more deeply, examining the relationship between Fiction Delivery Modes and Scene and Sequel.

  • Scene and Sequel: the Building Blocks of Fiction
  • Scene and Sequel meets Fiction Delivery Modes
  • Practice Exercise: Analyzing Pacing using Fiction Delivery Modes

I designed this course for writers who want to improve their control over pacing to keep readers wanting more.  The only requirement for enrolment is a willingness to learn.

I’d love to hear feedback on the course.

Have a great day, and may the muse be with you.

Vanessa

IDEAS, From Spark to Fiction – WATCH THE SERIES

Where do I get my story ideas? Most writers have probably heard that question numerous times, and sometimes it’s difficult to answer. Some of my ideas seem to come out of nowhere, fully-formed. At other times, the birth of a story is made up of several factors that are only clear in retrospect. Many stories grow out of my own experiences, interviews with interesting people I meet exploring, or comment someone makes that stirs my imagination.

To answer the question, I’ve decided to do a series of videos on the creative sparks that have led to different books I’ve written.

Here’s the playlist. I’ll add to it as I post more videos. If you want to be notified when the playlist is updated, signup for my Storyteller Academy newsletter

WILD PASSAGE – IDEAS, from Spark to Fiction

TAKING CHANCES- IDEAS, FROM SPARK TO FICTION

CATALINA’S LOVER- IDEAS, FROM SPARK TO FICTION

If you enjoyed watching these videos, subscribe to my YouTube channel to be notified of the next release. A “like” would come in handy as well.

Where do you get your ideas?

Vanessa

Taking Chances – IDEAS: From Spark to Fiction

Where do I get my story ideas? Most writers have probably heard that question numerous times, and sometimes it’s difficult to answer. Some of my ideas seem to come out of nowhere, fully-formed, and other times the birth of a story is made up of several factors that are only clear in retrospect.

The creative spark that eventually became Taking Chances was born during an afternoon walk with my friend Jan, while describing a novel I’d been reading. Although the book was well-written, I was on a rant because I would not believe in the romantic premise …

Click on the video to listen to how Taking Chances was born…

I had fun remembering this one, and if you enjoyed it too and found it interesting, I’d love it if you’d subscribe to my YouTube channel and share the video with others. A “like” would come in handy as well.

Where do you get your ideas?

Vanessa

Wild Passage – from spark to fiction…

People often ask where I get my ideas for my novels. It can be a difficult question to answer, because every story is different.

My novel Wild Passage, for example, had its origins in the most terrifying night of my life. My husband Brian were 70 miles west of the Oregon coast on our sailboat, Julie Marie II, on a voyage from Canada’s Juan de Fuca straight to San Francisco.

Let me tell you the story…

I had fun remembering this one, and if you enjoyed it too and found it interesting, I have a couple of favours to ask you.

I’d love it if you’d subscribe to my YouTube channel and share the video with others. A “like” would come in handy as well.

And have a great day!

Vanessa

Dick Francis, master of mysterious beginnings

First published on PenWarrions.com

I told the boys to stay quiet while I went to fetch my gun. (Twice Shy)

Twice Shy by Dick Francis

When I read those first words of Twice Shy by  Dick Francis, my immediate thought was, “Now there’s a powerful opening hook!”  Then I put the thought aside and kept on reading, because first and foremost I love a good story. Time enough to analyze how Francis hooked me and try (hope) to bring that power to my own writing after I’d read the story. 

So began my study of beginnings. The opening hooks I loved most were the ones that not only promised, but also delivered an amazing read. Many of them were written by Dick Francis.

E. C. Sheedy introduced me to the idea of searching for the power words in writing that impresses me. Gun is definitely a powerful word, associated with violence and death. Paired with boys, which implies youth, it becomes even more dangerous and powerful. The command to stay quiet implies a threat, increasing the dangerous stakes.

In seventeen words, Dick Francis completely hooked me. When the next paragraph reveales that the first person narrator is a Physics teacher in a boys school, using the gun as a prop for a lesson on ballistics, I’m even more intrigued. I know the gun is going to be important – after all, this is a mystery. The narrator will be the detective character, and I’ll be staying up late to read this book.

Dick Francis didn’t disappoint me.

I intensely disliked my father’s fifth wife, but not to the point of murder. (Hot Money )

Hot Money begins with the above statement by jockey Ian Pembroke, whose mother was his father’s second wife. I love the way the author blends powerful words  like intensely, disliked and murder with details that skillfully reveal the murdered wife was preceded by four others, one of whom will be Ian’s mother. I anticipate family discord, and I expect Ian to be the innocent prime suspect.

Hot Money delivers on the promise of its opening sentence with a delightfully complex family arranged in factions around three ex-wives, an intriguing mystery, and the delight of discovering Ian’s complex relationship with the father who, when his own life is threatened, turns for help to his estranged son – the one person everyone else suspects of the murder.

Here are a few more great openings from Dick Francis novels:

Dying slowly of bone cancer, the old man, shrivelled now, sat as ever in his great armchair, tears of lonely pain sliding down crepuscular cheeks. (Wild Horses)

I had told the drivers never on any account to pick up a hitchhiker but of course one day they did, and by the time they reached my house he was dead. (Driving Force)

I don’t think my stepfather much minded dying. That he almost took me with him wasn’t really his fault. (To the Hilt)

StraightAnd then there’s Straight, which I believe is Dick Francis’ most brilliantly crafted novel:

I inherited my brother’s life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother’s life, and it nearly killed me. ( Straight)

The violence implied by killed is preceded by a tantalizing blend of what seem to be small details (his desk, his gadgets) and the threat implied in inheriting his enemies and his mistress.

What elevates this book beyond the status of a truly great mystery is the way every one of those inherited items became meaningful: not only in solving a murder, but also in painting the evocative portrait of the uncompromisingly Straight man whose death preceded the story’s beginning.

Dick Francis was a master who continues to fascinate me. Every time I re-read one of his novels I hope to soak up some of the magic of his storytelling.

Dick Francis died on February 24, 2010, survived by two sons and a legacy of best-selling mysteries. The fascinating story of his life and its real-life mystery is revealed in family friend Graham Lord’s biography Dick Francis: A Racing Life, which I discovered (and bought) while writing this blog.

Workshop: Character Driven Plotting, Pacing to Maintain Tension

Writing RomanceThis Saturday I’ll be giving a day-long workshop for the Romance Writers of America’s Vancouver Island Chapter. If you’re in the Nanaimo area, come along and join us in an exploration of character-driven plotting, and pacing your novel to maintain story tension.

Workshop Details

When: November 2, 2013, 9:00 to 4:00 (registration from 9:00 to 9:30)
Where: Vancouver Island University, 900 Fifth Street, Building 255, Room 170, Nanaimo (Campus Parking Map)
Cost: $40.00 if registering after October 19th or at the door. Lunch, coffee, and tea is included.

Session 1—Character-Driven Plotting
In this workshop, Vanessa explores character-driven plotting, and the technique of using the hero and heroine’s personal territory to build a bridge between character and conflict. We all want the magic formula to work: characters + conflict = a great story. Sometimes, we need a little help, and adding a territorial imperative to the mix could be exactly what your story needs.

Session 2—Pacing to Maintain Tension
Pacing a book involves finding the balance between showing and telling, between emotional intensity and distance, between slow and fast. Vanessa makes this complex technical subject clear with graphic examples. Topics include time and the writer: story time, reader time, and writer time; the simple rule that covers it all; and how pacing relates to viewpoint and narrative style.

I’m looking forward to a great day with this group of enthusiastic writers!

Vanessa

Workshop Handout

Thinking About Love

Today is a special day for me. Think About Love is now available as a Kindle book on Amazon!

This one is special for a couple of reasons.

Think About Love was the first of my books to be reviewed by Publisher’s Weekly. My editor at Kensington sent me the review before I saw a copy of the printed book. I was thrilled that to be mentioned in Publisher’s Weekly, and pleased that I got a pretty decent review. I hoped to see good sales for this title, but unfortunately, hardly anyone got to see the book because the publisher discontinued the Zebra Bouquet line, and Think About Love was published in one of the final months. The publisher printed so few copies in the line’s final month, that I didn’t even get the copies I’d ordered directly from the publisher for friends and family. I generally refer to this book as, “the one they printed 10 copies of,” although I admit that’s a (slight) exaggeration 🙂

Now, thanks to the marvels of Indie publishing, Think About Love is available in my own Indie edition. And, because independent authors get to choose their own cover artists, I’m lucky enough to have the perfect cover, designed by my daughter, Angela Oltmann of AngieOCreations.com.

And this is a marker day for another reason – I’ve now published all of my backlist (with the exception of Pacific Disturbance, my very first book. That one needs a lot of work, and I may never get to it. Just reading the first page, it’s obvious to me that this was a writer learning her craft.)

My next project is a new book, the story of a counselor named Kate, who makes a decision that throws her into a counselor’s worst nightmare and sets her on a collision path with disaster. I’m in final revisions for Kate’s book, and one of my challenges is finding a title. I love it when titles come to me while I’m writing the first few chapters of a new story.  These early titles provide a focal point for my writing, and I escape the nagging frustration of trying to find the perfect title. I know almost everything about Kate, except the name of her story.  Somewhere around chapter 6, I came up with the title Lifelines, but it feels too tame for the storm Kate finds herself sailing into. 

In any case, I hope to release Kate (AKA ????) before Christmas this year.

Have a great day

Vanessa Grant

Think About Love – available at
Amazon.com
* Amazon UK * Amazon DE

 

New on All Romance eBooks

I’ve been busy this week getting some of my titles up on All Romance Ebooks, and I’ll be putting more up over the next few weeks. Visit All Romance eBooks and search for Vanessa Grant.

For great romances, and people who own – or have owned – more than one format of ereader, All Romance eBooks offers a wide selection of quality romances in a variety of formats – Mobipocket, ePub, Palm, iSolo, and Rocket.

My books on All Romance eBooks are all DRMfree. Whenever I have the option, I prefer to sell my books through channels that make it possible to offer them without DRM (digital rights management). I’ve had several eReaders over the last two decades, and I always look for books that are DRM free when I buy, because then I know that – thanks to Calibre – I’ll have no trouble converting my purchase to another format if I need to.

Have a great week!

Vanessa Grant


If You Loved Me

She needed his help to find her son – no matter what the cost!

Surgeon Emma Garrett had made sacrifices to follow her dream of becoming a doctor – and yet none was as painful as turning down Gray McKenzie. But not even the threat of losing her greatest love could stop Emma from fulfilling her dream of repairing the bodies of damaged children.

Now widowed with a thriving Seattle practice and an eighteen-year-old son, Emma is suddenly plunged into the wilderness when her son and his friend disappear on a kayaking trip. She desperately needs the help of an expert who knows the territory – and nobody knows the Pacific Ocean’s north coast wilderness like Gray McKenzie.

But when Emma arrives on Gray’s remote doorstep unannounced and determined that Gray will rescue her son, she soon realizes that reawakening her past may cost far more than she’d imagined.

Available from Amazon USA and Amazon UK

I’m thrilled to be able to announce that If You Loved Me is now available. The story of children’s surgeon Emma  and wilderness photographer Gray McKenzie is one of my favourite, and the first of four books I wrote for Kensington Books a few years ago.

 If You Loved Me is now available in Kindle edition. A sample chapter is also available at  Amazon USA and Amazon UK
The new print edition will be out in February.
Have a great day!
Vanessa

Writing + an effortless life = attainable goal??

This afternoon I followed an EC Sheedy tweet to Leo Babauta’s blog about an effortless life. I’m sceptical of effortless, but I could handle easier,  and when EC posts words of wisdom I generally check it out because she’s – well, wise.

I was entranced by Babauta’s blog, and impressed by the power of synchronicity. Last week I posted a blog entitled Necessary Lies, Steven Covey, and this writer here and on PenWarriors.com, discussing my recent productivity struggles, which mirrored a pattern described in Covey’s 7 Habits of Highly Effective People. As I mentioned in the blog, I felt an immediate change in energy and productivity when I tried applying Covey’s  Habit 3: “First Things First”

After a productive week applying First-Things-First I’m looking around for wisdom on how to keep my new #1 task free of other members of the numbers tribe (2, 3, 4, 5 … to 3,458 of my should-do’s)

Enter EC Sheedy –> Leo Babauta

Babauta’s post announces that he’s about to publish a new book, The Effortless Life, but while I’m waiting for the book, he has a few tips.

The first tip is beautiful in its simplicity – Babauta describes it as counterintuitive: Do Less

Less = More? Maybe this is the new math that I missed being punished with – I was too early and my kids too late for that educational debacle.

Babauta explains: “I … believe in doing the important things. Do less, and you’ll force yourself to choose between what’s just busywork, and what really matters. Life then becomes effortless, as you accomplish big things while being less busy.”

My writer’s logic likes this a lot. I know that when I have a word limit on a story and I’m forced to write shorter, I usually feel the result is more powerful than the longer version. I get where Babauta is coming from. I don’t know if I’m going to act on his tip #1, but I’m certainly going to think about it.

If my mental (or, lately, written) to-do list has half a dozen urgent things on it – what if I cut that down to 2 and forbid myself from doing the others?

I get twitchy just thinking about it, but maybe “getting twitchy” is a signal that I should think about it. Or maybe, as Star Treck’s Bones once said about Spock, “(S)He’s not firing on all thrusters.”

Babauta’s seven tips are definitely worth reading. the author says his book should be out soon and I’ll be watching for it. I want to read more about Babauta’s Zen-ish take on productivity through simplicity.

I don’t have much practice with simplicity. When a new idea or project wanders across my path, I tend to behave like one of my miniature Australian Shepherds, sniffing after the shiny new thing and failing to resist the urge to herd it!